Quiet Hollers formed in Louisville around the songwriting of singer/guitarist Shadwick Wilde, who originally formed the group with the idea of playing only one show—the CD release of his solo effort, Unforgivable Things, in 2010. The group’s debut, I Am the Morning, followed in 2013. The alt-country styled album was a limited success, spawning a cult following in the US and some international critical praise, allowing the band to continue touring on the DIY circuit, where changes in personnel and taste saw the band exploring territory beyond the genre.

In 2015 the band’s self-titled sophomore album Quiet Hollers introduced them to a much broader audience, drawing praise both for the breadth of its influences and for Wilde’s lyricism. Consequence of Sound called it a “beautiful portrait… breaking the confines of roots music” with PopMatters aptly noting the band’s “strong post-hardcore influence.” The album brought the band to Europe for the first time, selling out shows there and back at home stateside. Breakout singles found their way onto TV shows, coffeehouse playlists, and a #9 debut on the FMQB college and indie charts.

Quiet Hollers signed with the indie label SonaBLAST! for their third album, Amen Breaks. The album draws parallels between the modern entertainment landscape and the cultural crossover of the 1970s– another decade marred by division, political corruption, and terrorist bombs. Their shape-shifting palate makes use of orchestral strings and brass, vintage drum-machines and samples (including the Amen Break, the most sampled piece of music in history). Amen Breaks explores themes of spirituality, sexuality, and mental illness.

photo by Nik Vechery

photo by Nik Vechery